| Artist Bio
Of rich Persian heritage, Sabzi started painting at the age
of twelve and was encouraged in his early progression as an
artist by his parents and inspiring teachers. He earned a
Bachelor of Science in Agricultural Engineering at the University
of Jundi Shapur. “The best part of agriculture was the
purity of its primal spaces,” he says, explaining his
early sensitivity to artistic concepts.
Sabzi’s early works were primarily realistic, exploring
the historical and cultural themes of his homeland. His travels
brought him to Germany and then the United States, providing
him the opportunity to explore new artistic influences, and
he began to work in abstract and figurative styles.
MODERN GODDESSES
Sabzi’s subjects are almost always women -- beautiful,
graceful, taciturn and melancholy; they reflect love, mystery
and solitude. His women are Madonnas, modern goddesses and
martyred saints whose elongated forms suggest instability
and internal conflict. According to Sabzi, their anonymous
faces make them into religious icons that transcend and defy
the demands of reality -- reflecting warmth, charm, happiness,
and his undisputed love and admiration for women.
His paintings resonate both Eastern and Western philosophies.
His Persian background provides him with ancient images, sentimental
Persian themes and memories of innocence. He draws from the
Western influence of modernism found in the works of Klee,
Cezanne, Matisse and Bonnard.
A QUEST FOR SPIRITUALITY
His debt to modernism, especially to Matisse, is irrefutable.
Earthy hues of pale greens, yellows, purples and reds illuminate
the settings and inspire the forms with unique inner vibrations.
Though schematic, the treatment of the human face as luminous
geometric planes is a profound statement of the artist’s
quest for spirituality.
Sabzi goes beyond Matisse and creates spatially-revolving,
post-modern worlds. Images reflected in mirrors assume a life
of their own. The effect is a powerful multiplicity of emotional
representation. Here the fantastic is treated as ordinary
and the rich fabrics of the paintings resonate intimacy.
An accomplished abstract painter, Sabzi’s passion for
the spiritual is represented in the open spaces, symbolism
and intricate patterns that make up the backgrounds of his
compositions. Juxtaposing the complex feelings, body language
and attitudes of his predominantly female figures against
a backdrop of shapes and forms in space, Sabzi uses texture,
lines and color to make artistic statements about love and
beauty.
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